During the 80s a video camera, if existing in private life, was primarily used to document a variety of family ceremonies like weddings or baptisms in Romania. In my point of view, the found material, on which the work "Bucharest 1992" is based, stands for the place and the time given in the title. You can find the disorientation, which dominated the society of Bucharest after the collapse of communism, in the pictures of the video.